酒吧明星

丹尼尔·艾萨克森试图查明他的父母保罗·艾萨克森和罗谢尔·艾萨克森真正的同谋，他们在 20 世纪 50 年代因间谍活动被处决。

This is the story about man who had a great way. His adventures and losses, his life make you to be surprised. We invite you in the middle ages - a times of darkness, of heroes, of big power and of eternity love.

The gripping true story of a young man’s journey from hero to alleged war criminal, the determined lawyer on his tail, and their search for truth in the fog of war.　　Anthony Boyle plays the real-life soldier Brian Wood, accused of war crimes in Iraq by the tenacious human rights lawyer Phil Shiner, played by Toby Jones.　　The two men go head to head in a legal and moral conflict that takes us from the battlefield - at so-called Checkpoint Danny Boy - to the courtroom, and one of Britain’s biggest ever public inquiries, the Al-Sweady Inquiry.　　Memory, evidence and trauma collide, as Brian finds himself caught on the fine line between war and unlawful killing. After his service in Iraq and years of legal investigation, will he ever be able to look his family in the eye again and be the husband, father, and son, they need him to be　　Danny Boy is an urgent and thought-provoking drama that questions what we ask of those who fight - and kill - for their country.　　Danny Boy is made by Expectation for the BBC. It is written by Bafta-winner Robert Jones and directed by Sam Miller, and also stars Alex Ferns, Leah McNamara, Pauline Turner, Kiran Sonia Sawar, and Tom Vaughan-Lawlor. Executive Producers are Colin Barr and Susan Horth for Expectation, with Lucy Richer, Jo McClellan and Clare Sillery for the BBC.

1970年代传奇摇滚乐手丹尼柯林斯（阿尔·帕西诺 Al Pacino 饰）在经历人生低潮时，经纪人（克里斯托弗·普卢默 Christopher Plummer 饰）发现了一封40年来从未送达的信，这封信居然来自披头士主唱约翰·列侬，在40年前写给当时19岁的他，这让他再度受到启发，毅然决然地离开现在奢华的生活，踏上寻找生命意义的旅程，而他也在这段旅程中收获了真爱和消失已久的创作灵感……

一位电视演员（安迪·迪克饰）喝多了被这个行业拒之门外，然后他决定通过导演自己的电影重新闯荡。最终，他清醒过来，然后从马车上掉下来发疯，把他的电影变成了音乐剧。

1975年，北京。方凌轩（郑榕 饰）大半辈子在新华医院从事中医药研究，平日里著书立说，颇有建树。作为人大代表，出席了全国四届人代会，并受到周总理的接见与关怀。会后，他加紧了冠心病新药的研制。女婿庄济生（修宗迪 饰）是四人帮在卫生部的爪牙，他对研制工作百般刁难阻挠，回到家中，方凌轩与庄济生展开面对面交锋，他严厉斥责女婿的极左言行，恼羞成怒的庄济生通过部里四人帮的代言人，疯狂打压一切与研制新药有关的人和事。就在方凌轩感到绝望之机，周总理从医院打来电话鼓励他继续研制，早一天服务于广大患者，这给了方凌轩及同事极大的勇气......

丹青是一位绝美的女子，出现时经常有蝴蝶相伴。她自幼成为孤儿，跟在一狼子野心的男人身侧。这个男人非常狡诈，为了登基为王，竟让丹青施以美人之计，去诱惑大王。丹青成功地结识了大王，可她发现，这个大王，居然爱她到不可自拔……

故事围绕离家出走的女孩杨雪和中年男子李天扬展开。讲述了两个因各自不同家庭背景和生活经历留下心理伤痛和困扰的主人公，互相帮助和鼓励，最终杨雪意识到家庭的温暖，李天扬也重拾对家庭的信心与责任。

故事围绕离家出走的女孩杨雪和中年男子李天扬展开。讲述了两个因各自不同家庭背景和生活经历留下心理伤痛和困扰的主人公，互相帮助和鼓励，最终杨雪意识到家庭的温暖，李天扬也重拾对家庭的信心与责任。

梁秀琴 17 岁时，随⽗亲梁铁林到齐齐哈尔市的扎龙⾃然保护区做临时⼯，负责养鹤、驯鹤⼯作。1983 年，她在那⾥负责饲养雏鹤，雏鹤成活率达到 100%。因此，扎龙保护区的孵鹤、养鹤、驯鹤技术开始蜚声中外。1985 年，梁秀琴⾃费到东北林业⼤学野⽣动物系进修，因交不出学费，⽣活⼜难以为继， 她曾背着⽼师和同学，数次献⾎换来⼀些钱来维持学业。 梁秀琴结业后去盐城⾃然保护区⼯作，当时的鹤场，最好的建筑物就是⼀个废弃的哨所，上下两层，每层不⾜ 6 平⽅⽶。在这⾥，她认识了⼀起并肩⼯作的同志王君彦、段⽅和夏兰，梁秀琴也和王君彦有了⼀些朦胧的感情。 还没等他们的感情有些进展，梁秀琴就因为救⼀只受伤的鹤永远地离开了这 个世界——那时，梁秀琴才 23 岁。

2025年，也就是哥本哈根遭遇重大炸弹袭击的一年后，丹麦全国各地的激进化运动加剧，种族关系高度紧张。下一届议会选举即将来临，而极端民族主义政治领袖马丁·诺达尔具有压倒性的优势。19岁的扎卡里亚参与了一个激进组织，在那里他认识了阿里。两个小伙子看不惯愈发排斥移民的社会现状，于是决定采取行动。然而，他们都只是掌权者手中的工具。在二人努力影响时局的过程中，他们的兄弟情谊会受到考验，而他们的行动也将波及他们的人生。

1926年哥本哈根，风景画家艾纳（埃迪·雷德梅恩 Eddie Redmayne 饰）和擅长人物画的格尔达（艾丽西亚·维坎德 Alicia Vikander 饰）结为夫妇。因为模特失约，格尔达为顺利完成画作说服了艾纳穿上女装救场。这次意外令艾纳多出一个女性人格“莉莉”，而后者亦成为妻子的灵感女神，让格尔达声名鹊起。只是随着沉睡女性人格的被唤醒，艾纳开始厌恶自己作为男性的身体，他渐渐发现莉莉不但是艺术存在，更是真正的自己。格尔达也没有想到只是临时起意的游戏，竟为自己人生投下了一颗震撼弹，她该如何继续爱她的伴侣？她们在各种社会非议和误解中不离不弃，最后格尔达鼓励艾纳彻底变成莉莉...... 　　根据世界上首位变性人士生平改编的《丹麦女孩》讲述一段跨越性别和性向的爱情，重现一位最早接受性别重置手术的丹麦画家与妻子的传奇故事。该片由奥斯卡导演汤姆·霍珀执导，入围威...

1926年哥本哈根，风景画家艾纳（埃迪·雷德梅恩 Eddie Redmayne 饰）和擅长人物画的格尔达（艾丽西亚·维坎德 Alicia Vikander 饰）结为夫妇。因为模特失约，格尔达为顺利完成画作说服了艾纳穿上女装救场。这次意外令艾纳多出一个女性人格“莉莉”，而后者亦成为妻子的灵感女神，让格尔达声名鹊起。只是随着沉睡女性人格的被唤醒，艾纳开始厌恶自己作为男性的身体，他渐渐发现莉莉不但是艺术存在，更是真正的自己。格尔达也没有想到只是临时起意的游戏，竟为自己人生投下了一颗震撼弹，她该如何继续爱她的伴侣？她们在各种社会非议和误解中不离不弃，最后格尔达鼓励艾纳彻底变成莉莉...... 　　根据世界上首位变性人士生平改编的《丹麦女孩》讲述一段跨越性别和性向的爱情，重现一位最早接受性别重置手术的丹麦画家与妻子的传奇故事。该片由奥斯卡导演汤姆·霍珀执导，入围威尼斯电影节金狮奖。

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

故事发生在1951年，十六位来自格林兰岛的小孩被送到丹麦本土，当局希望通过一系列的改造手段，将这些孩子的所谓“文明”程度提高到丹麦本国居民一样的水准。尽管照料孩子们的老师Gert具有满心的理想主义情怀，但最终的结果证明这种人性改造其实根本是最大的违背人性。这是一部在当今全球化背景下，思考本土/全球、第三世界/发达国家之间关系角力的反思力作。每一个第三世界、被殖民国家都应该有这样的民族志记忆。另外，导演在叙事方面有非常深厚的功力，故事的进程一波三折，绝不拖泥带水。

中国白过着特权的生活，直到一个英俊的年轻追求者将她暴露在城市的黑暗面中，使她处于失去灵魂、思想和身体的危险之中。