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正因与未婚夫分手而心情颓丧的Nina(莉顿·梅斯特 Leighton Meester 饰)在感恩节前夕回到家中准备与家人的聚餐,尼娜的父亲父亲Terry(奥利弗·普莱特 Oliver Platt 饰)与住对街的Walling一家感情甚好,准备借此机会撮合他家的儿子Toby(亚当·布罗迪 Adam Brody 饰)和自己的女儿Nina交往。不想在一连串偶然之后,Nina和Toby的父亲David(休·劳瑞 Hugh Laurie 饰)之间竟然擦出了暧昧的火花,这场或许将严重影响社区睦邻友好关系的微妙忘年恋该如何收场?
HD中字
乔什·苏斯曼
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卡佳·卡辛
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安娜福克斯
斯科特·克林斯基
朱莉·卡明斯
杰森·斯图尔特
米奇·奥黑根
米娅·泰勒
约翰·古拉格
詹姆斯·兰索恩
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邹时擎
阿拉·图马尼安
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圣丹斯国际电影节上,一部名为 Tangerine (《橘色》)的电影受到了很多关注。这部影片的主题很新颖,讲述的是在好莱坞不那么光鲜的角落里工作的变性妓女;人物性格冷酷、有趣、有从不让人欺负的个性。不过,最令人吃惊的是,这部电影的导演 肖恩·贝克放弃了专业电影拍摄装备,选择 iPhone 5s 拍摄电影。很多业余电影爱好者使用 iPhone 录制电影,不过,Tangerine 是第一步全部使用 iPhone 拍摄并在圣丹斯电影节上展出的电影。肖恩·贝克使用 iPhone 5s 拍摄视频,并使用价值8美元的视频应用 FilmicPro 。肖恩·贝克表示,由于自己的预算有限,才选用了 iPhone 拍摄。当然,使用 iPhone 拍摄有一定的优势,比如无需从洛杉矶市政厅购买电影拍摄许可。
正片
HD中字
2.3分
《丰山犬》由金基德旗下的制作公司制作,导演是金基德导演一手栽培的新人导演全宰洪,他曾担任金基德的《时间》、《呼吸》两部作品的助理导演,而他的出道之作《美丽》则获邀参加了第58届柏林电影节的电影大观全景单元展映,消息一出立即成为韩国电影界热门话题。
《丰山犬》将定位为动作剧情片,在电影《野兽男孩》和《执行者》中表现不俗的演员尹继相将担任影片主角,并有望在影片中同时展现动作与爱情戏份。
曾在纽约求学专攻电影的全宰洪导演与拍摄《义兄弟》的张勋导演,以及《金福南杀人事件始末》得导演张哲秀三人都签约于金基德导演旗下的制作公司,因此也被称作金基德师团。据知情人士透露,与尹继相饰演对手戏的演员A某在韩国影坛是一线女星,目前正在拍摄其他电影之中。《丰山犬》将在11月中旬投入拍摄,并将于明年上半年上映。
6.9分
2.2分
丰城连续发生了几起扑朔迷离的案件,先是得意茶楼的袁夫人神秘失踪,又是王家丫鬟和袁掌柜接连被杀。虽然典当行的大少爷王剂文和袁夫人分别留书说明私奔原由,但却疑点重重,警察根据疑点全力调查,这时王府的丫鬟珠儿突然溺死于井下,经过法医鉴定其致死因,竟是服用了掺入砒霜的莲子羹而死,死后被抛入井下,王府谁才是凶手呢?正当警察满怀疑问时,王老夫人道出,莲子羹是二少奶奶煮给她的,警察恍然,凶手本意是想毒害老夫人,却阴差阳错被珠儿误服,珠儿成了老夫人的替死鬼。警察带着种种猜测开始进一步调查,岂料这时袁掌柜又死于非命!一连串的凶杀案的线索,这时都指向大少奶奶和法华寺的圆通大师,虽然二人百般抵赖,但在警察的铁证面前二人不得不认罪。
HD中字
6.1分
波兰情色导演的一部名作,剧情简单。一男一女偶遇巴黎街头,彼此从陌生到熟悉再到沉迷性爱的欢愉之中,只有短短四个小时。
◎ 关于影片:
影片非常真实细致地将性爱的全过程展现出来,不仅有施虐、受虐、性挑逗、性乱交等大胆描写,还出色地利用光影的变化和超现实的迷离,以营造一个似幻似真的爱欲境界。片中还出现了灵与肉互相折磨、肉体上的性摧残但却互相产生快感的异色情节,导演意在挖掘平常两性关系表面下的原始兽性和疯狂欲望。
5.9分
HD
多年来,过度负责家庭事务的测量员卡洛斯·阿隆索(Carlos Alonso)的生活经历了几次变化:16号孩子小玛利亚(little Maria)的出生与母亲的死亡同时发生,母亲留下了一个中空的填充物。祖父也去世了。教父糕点结婚了,男孩们成长迅速。。。
7.6分
1990年 日本电影旬报最佳电影奖。影片通过一所大学的话剧社排演契科夫的同名戏剧,仅用了屈指可数的场景记录了社团成员的生活点滴。 私立樱华女子学园在每年四月校庆那天,都要上演契柯夫的话剧《樱桃园》,这已成为传统惯例。校庆那天的早晨,演员们都来到演出休息室。在她们中间,最引人注目的就是那天恰好十八岁、第一次烫了头发的队长志水由布子。这些天真烂漫的少女们正在议论三年级学生、扮演男仆亚夏的杉山纪子昨天因吸烟被老师逮住的事。大家忐忑不安地猜测演出是否还会按时进行。在演出顾问里见老师的劝说下,大家的情绪才安定下来。在舞台监督城丸香织的指挥下,准备工作紧张地开始。主要演员仓田知世子由于第一次扮演这个角色,缺少自信,紧张地不能自持。对她一直很崇拜的志水由布子亲切地鼓励着。看到这一切的杉山纪子表现出一种复杂的情绪。演出终于开始了,大幕徐徐拉起,少女们迈着沉着的步伐走向舞台。
HD中字
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
HD中字