Corrigan

梅根（芭芭拉·斯坦威克 Barbara Stanwyck 饰）和未婚夫琼斯（沃尔特·康诺利 Walter Connolly 饰）即将携手步入婚姻的殿堂。琼斯是一名虔诚的基督教徒，为了传教，梅根跟随琼斯来到了中国。一场意外中，两人在误打误撞之下闯入了军事禁区，就此解释了颜将军（尼尔斯·阿斯瑟 Nils Asther 饰），三人之间结下了深厚的友谊。　　随着时间的推移，颜将军渐渐爱上了天真烂漫的梅根，两人之间的距离越来越近。颜将军在事业上受到了重创，导致了众叛亲离的下场，在这危机时刻，梅根选择不离不弃的陪伴在颜将军的身旁。可是，颜将军误以为梅根这么做是为了自己的未婚夫，这误会导致两人的感情产生了裂痕。

Joe McBeth 是一个努力工作但没有野心的傻瓜，他在汉堡摊上与比他聪明得多的妻子 Pat 一起劳作。帕特相信她可以在这个地方做得比他们的老板诺姆做得更好，所以她计划篡夺诺姆，说服麦克抢劫餐厅的保险箱，然后谋杀诺姆，利用抢劫作为摆脱警察追踪的一种方式。

影片由美国导演大卫·卡普兰(David Kaplan)执导，讲述印度裔美籍演员阿契夫·曼德维(Aasif Mandvi)饰演的厨师Samir本在大餐厅工作，可是因为工作不如意而辞职，并接手父亲的印度菜馆。本来对印度菜一窍不通的Samir ，经过身份神秘﹑曾为厨师的的士司机点化和帮忙后，终于领略印度菜的精髓，而且解开和父亲多年来的心结，也赢得美人归，皆大欢喜。

一个新的顶级防盗报警系统的发明者被一个帮派绑架，目的是让他帮助他们进行抢劫。

Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!