Ladislav

A group of Czech artists choose to ignore the realities of Nazi occupation in this brooding experimental war drama. When a pretty female refugee comes to town seeking help, she awakens the sexual desires of all the men, but the only one who helps her is a sympathetic sculptor. When she is allegedly killed, the man sends the artists who refused to aid the woman death masks of the victim. All later conclude that the woman was not mortal.

Synopsis: One of Gustav Machaty's (Ecstasy) major achievements, From Saturday to Sunday is marked by a gentle romanticism. Two secretaries go out on a double date, but the inexperienced Mary flees when offered money for sexual favors. She takes refuge in a cafe and encounters a plebeian Prince Charming. The film recounts the simple progress of their romance after they go home t...

阿格涅丝卡·霍兰([糜骨之壤])新片[江湖郎中](Charlatan，暂译)正式开拍，该片由伊凡·特洛伊(Ivan Trojan)、尤拉伊·娄伊(Juraj Loj)主演。影片故事根据草药医生Jan Mikolášek的真实故事改编，讲述尽管困难重重 ，他还是毕生致力于照料病人。该片计划于明年2月20日首映。

冷漠的面孔，行进的人群，那一抹抹红色点缀着布拉格街头的寒冷，让温暖流淌在匆忙的交错过往之间。　　车站自是离别伤感之所，身为道桥扳道员的父亲（Vladimír Javorský 饰）抱着儿子拉多（Ladislav Ondrej 饰）穿梭在离别的人群之中，看他们喜乐哀伤诀别亲人、诀别爱人、诀别曾留下足迹的城市。　　父子俩的生活简单质朴，幸福却从未因家庭的不完整而有半点缺失。儿子祈求第二天去父亲的工作场所，谁曾想这却是一个改变很多人一生的约定……　　本片荣获2003年棕榈泉国际短片电影节最佳影片奖、2003美国温馨电影展（HeartLand Film Festival）水晶心奖。

This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script.　　The director Evald Schorm (1929-1988) was one of the most original members of the Czech New Wave. During the normalization era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the Na zábradlí Theater and Laterna Magika.

坐监多年的扬•迪特（奥德里奇•凯瑟饰）大赦获释，他被“放逐”到捷克北部边境森林里修一条看上去永远修不完的道路。回想年轻时候，迪特感慨万千，那时的自己（伊万•巴尼弗饰）只是个年轻的饭店服务生，却立志要成为百万富豪。小个子的他精通服务之道，同时不忘追逐金钱和女人。他先后到过生活奢靡的天堂艳楼，布拉格最气派豪华的巴黎饭店。在那里，饭店领班告诉迪特，他之所以精通各项待客之道，是因为曾侍候过英国国王。第二次世界大战前后的捷克情势变化莫测，迪特遇见了同是小个子的德国姑娘丽莎（朱丽娅•耶特斯饰）并遇到许多困难，但他依然坚定不移地朝着立下的目标努力……

杨·南曼奇在捷克新浪潮的地位，类似于雷奈在法国新浪潮一样。这是他的第一部剧情长片，描绘两个犹太男孩在被送往死亡集中营的途中，从火车上逃脱，被迫在乡野展开挣扎，艰难地求生存的故事，看似具备写实的基础，却被混合了幻想的影像，以及自由跳跃的叙事所重组。