Patterson

当弗雷德在一档名为《交易做不做》的游戏节目中赢得大奖后，他和威玛计划与巴尼和贝蒂一起去石古拉伯爵位于罗克西瓦尼亚的诡异城堡度假，这座城堡现在已经变成了一个旅游胜地。不幸的是，在旅途中，弗雷德和巴尼意外地发现了石古拉伯爵旧实验室，那里有他未完成的怪物——弗兰肯石坦。由于他们离开时忘记关窗，一道闪电击中了实验室的机器，让弗兰肯石坦活过来了。弗兰肯石坦将石古拉伯爵从五百年的沉睡中唤醒，吓跑了城堡里所有的游客，除了弗雷德他们因为倒时差而早早入睡了。他们醒来后将面对怎样的局面呢……

见证史蒂夫·马登 (Steve Madden) 令人难以置信的崛起、衰落和复活，他创立了价值十亿美元的时尚帝国，他的品牌鞋在美国几乎所有 30 岁以下女性的衣橱里都有。这部电影讲述了麦登因与臭名昭著的华尔街之狼乔丹·贝尔福特的纠葛而在入狱后如何重建生活。

塔拉（黛比•莱恩DebbyRyan饰）是一名非常平凡的17岁女高中生，家庭的影响让塔拉的性格非常的害羞内向，她甚至不敢再大家面前大声的说话，每个人都把塔拉当做是毫无还手之力的小羊羔。可是，实际上，塔拉是一个非常有自己想法的女孩子，每当她回到家中，进入自己一方小小的天地后，都会暴露出热情奔放的一面。塔拉建立了一个名为“RadioRebel”的私人电台，只有在这里，她才能够作为DJ肆意展现自己真实的一面。很快，这个电台便在校园内走红了，有了一批忠实的听众，但依旧没有人知道，他们经常谈及的那个流行的电台背后的女人竟然就是塔拉。

在运送一个重要的包裹时，一名年轻女子在偏僻的地方发生了车祸，使她被困在车下。她慢慢开始意识到，不仅一些非常坏的男人在追踪她，想要取回她正在运送的物品，而且一些非常危险的东西正在从树林深处追捕她。

在新奥尔良，一名黑人男子和一名白人女孩之间的关系导致了一系列谋杀案。

阿尔文史崔特先生（理查德·法恩斯沃斯 Richard Farnsworth 饰）已经七十多岁了，他不仅个性孤僻古怪，视力状况也每况愈下。史崔特先生和女儿罗斯（茜茜·斯派塞克 Sissy Spacek 饰）相依为命，父女两人的日子虽然过得清贫，但也不失宁静和乐趣。　　哥哥莱尔（哈利·戴恩·斯坦通 Harry Dean Stanton 饰）病重的消息打破了史崔特先生家中的平静气氛。虽然由于曾经的矛盾，兄弟两人已经将近十年没有见过面了，但如今史崔特先生已然步入了老年，经历过生命力的种种变幻和无常，史崔特先生决定，是时修补一下兄弟之间的裂痕了。就这样，史崔特先生驾驶着自己的割草机上路了，目的地是300英里之外的威斯康辛州。

Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

海湾战争终于结束了。三个好兄弟阿奇（乔治·克鲁尼 George Clooney 饰）、特洛伊（马克·沃尔伯格 Mark Wahlberg 饰）和埃尔金（艾斯·库珀 Ice Cube 饰）准备在退役前结结实实捞上一笔，那样他们退役后就能舒舒服服地享受人生了。可不要以为他们 在异想天开，其实他们早就在伊拉克听到坊间传闻：总统萨达姆暗中收藏了一批从科威特偷来的黄金在他的秘密碉堡内。恰巧兄弟三人从伊拉克的一名战俘的屁眼处发现了一张萨达姆秘密碉堡的地图，于是三人经过准备，往夺宝之路进发……

海湾战争终于结束了。三个好兄弟阿奇（乔治·克鲁尼GeorgeClooney饰）、特洛伊（马克·沃尔伯格MarkWahlberg饰）和埃尔金（艾斯·库珀IceCube饰）准备在退役前结结实实捞上一笔，那样他们退役后就能舒舒服服地享受人生了。可不要以为他们在异想天开，其实他们早就在伊拉克听到坊间传闻：总统萨达姆暗中收藏了一批从科威特偷来的黄金在他的秘密碉堡内。恰巧兄弟三人从伊拉克的一名战俘的屁眼处发现了一张萨达姆秘密碉堡的地图，于是三人经过准备，往夺宝之路进发……

丽贝卡和迈克尔决定周末度假并开车到偏僻的乡村时，他们毫发无损地到达了他们的小屋，但丽贝卡忍不住觉得有人在监视。

查理先生手下有三名女打手，她们才貌双全拥有一身好功夫，专门接受查理先生的命令为他人伸张正义。她们分别是：娜塔莉（卡梅伦•迪亚兹 饰）、戴兰（茱莉•巴里摩尔 饰）与艾利克斯（刘玉玲 饰）。　　她们最近接受了一个任务：艾瑞克•克诺斯（萨姆•罗克韦尔 饰）先生设计了一款高科技的声音辨别系统。艾瑞克却不幸被绑架了，这三名“天使”需要从不法分子手中拯救艾瑞克。因为这套由艾瑞克设计的高科技系统，一旦被不法分子利用的话后果堪虞。　　三位“天使”得知情况后，很快联想到了艾瑞克公司的对手，该负责人罗格成为了最大的嫌疑。三人于是日夜调查罗格的行踪，也掌握了重要的线索。正在她们有把握拯救艾瑞克的时候，一通电话打破了她们三人的全盘计划。

Sam和Kat 自小腻在一起，最近常玩耍的地方便是餐桌下面。从四岁到20多岁，他们成为一对几乎成为定数，但是Sam 得到了外出工作的机会，Sam鼓励他出去闯荡，却成为了这段感情的绊脚石。

因某种原因，17岁的男孩丹恩·汤姆森（克里斯·凯利ChrisJ.Kelly饰）随着母亲苏珊（泰瑞·波罗TeriPolo饰）和弟弟卢卡斯（内森·甘宝NathanGamble饰）搬离喧嚣的布鲁克林，来到一座幽静小镇居住。虽然离开了朋友们，小镇生活也有些枯燥，好在邻居的女孩茱莉·坎贝尔（海莉·贝内特HaleyBennett饰）性感魅力，丹恩烦躁的心稍显平静。某天，兄弟俩打闹时无意间在杂物间发现一个深不见底的洞穴。此后不久，卢卡斯和与兄弟俩熟捻的茱莉相继遭遇奇怪恐怖的事情，他们更在光天化日下看见一个双眼流血的小女孩。三人开始有意识地探究这幢房子和黑洞的过去，由此也唤醒了沉睡已久的恐怖……

罗尼从自己的功绩中赚得很少，他召集了一群恶棍，在“飞翔的苏格兰人”客运列车上进行抢劫。火车正在运送从苏格兰提取的钞票到伦敦销毁。

1992 年 10 月。一群法学院学生前往北部一个偏远的家庭，那里有一个女孩在两年前失踪。

Three men and a woman crash-land in a deep crater in Antarctica, where they find a prehistoric world.

本片根据真实事件改编。描述一对夫妇攀登雪山却遭遇险境……

印第安纳州一个人口不足千人的小镇，一所舞蹈学校也没有，这里就是21岁的罗琳•寇比（玛丽•伊丽莎白•文斯蒂德 Mary Elizabeth Winstead 饰）从小生活的地方。罗琳父母留下的小汽配厂现在由哥哥掌管，并且不出意外的话，罗琳以后的人生也将围绕汽配厂展开……可这不是她想要的生活，罗琳多年来一直自学舞蹈，这次她自驾前往芝加哥参加舞蹈学校的入学考试，希望得到录取以改变人生。　　然而结果是残酷的，被淘汰的罗琳不甘于回家，在一位落考前辈的帮助下，她在舞厅找到了一份记账员的工作，并告诫自己舞厅的艳舞并非自己的风格，然而舞蹈的天性是不能隐藏的，终于因一个舞者的缺席，罗琳得到了一次展示自己的机会……

一个逃出精神病院的男子躲进一所空房子，新的房主母女俩搬来后，他藏在阁楼偷窥，很快被这家的女儿迷住，便假冒护士接近她……

一名危险的杀手（尼尔·麦克唐纳饰）的任务是追捕一名少年，他目睹了自己的哥哥被无情的南方罪魁祸首（迈克尔·库德利兹饰）谋杀。雇佣的枪必须在敌手或联邦调查局先找到那个男孩之前找到他。随着时间的流逝，杀手开始质疑他的致命方式，必须选择他属于哪一方。

当玛吉马克斯面临艰难的职业决定时，她逃到欧洲与朋友一起进行灵魂探索和观光。在那里，她遇到了一位英俊的欧洲花花公子王子，并在一个她从未知道的世界中找到了新的生活方向，同时在此过程中教他成为一个更好的王子。

Nicholas Gray a young, driven executive has a secret not even he knows about. As battles with a business rival threaten to crumble Nicholas' carefully planned world, Nicholas meets a charismatic drifter who challenges his life philosophy. Nicholas changes his outlook, loses everything... then decides to get it back..

一个男孩不小心被锁在银行金库里。金库里只剩下不到10个小时的氧气，拯救这个男孩变成了一场竞赛。

本片根据真实事件改编。描述一对夫妇攀登雪山却遭遇险境……

【年上美女教师x年下堕LUO奶狗】年幼父母离异后，性情逐渐变得乖张的贾斯汀在书店与美女教师相遇，随后开展了一段浪漫爱情，然而始终无法走出心理伤痛的贾斯汀最终.....结局“峰回路转”...@亿万同人字幕分享

Following the extraordinary story of one ordinary couple, as they fall in love and discover that the single greatest obstacle to finding happiness together might just be themselves.

布莱顿的英国独立电影制片人杰米·帕特森将他的流派跳跃天赋转向了浪漫喜剧，以这种傲慢和轻松的方式结束了一段婚外情。克里斯和露西在 30 多岁时漂泊不定，努力回忆最初是什么吸引了他们，并想知道他们从这里走向何方。提示一个冲动的决定，在欧洲最浪漫的目的地花上两周的时间来回穿梭，希望这可以挽救他们看似注定要失败的关系。随之而来的是一场喜剧表演，克里斯和露西从他们爱情的尸体上撕下最后一块肉。 Patterson 对喜剧荒谬的洞察力和对情侣谈话中小插曲的耳朵使 TRACKS 成为 BEFORE SUNRISE 中愚蠢浪漫化的一种非常有趣的解毒剂。