Nam

该剧将以十几岁青少年的视角讲述韩剧少见的大麻、毒 品、犯罪的故事。描写发现大麻田的18岁少女多贞和她的朋友们寻找遗失的平凡日常的故事。

在这个注重外表的社会，一名边缘人高中生意外可在颜值有天壤之别的两具身体之间切换，就此展开双面人生。

욕망은 인간을 다른 존재로 만든다　　타인의 죽음과 등가교환을 한 성공, 당신의 선택은　　소설에 나오는 살인게임 모티브로 저명한 심리학 교수가 살해당한 사건이 생겼다.　　하지만 한 젊은 작가 한준은 눈앞의 성공을 위해 살인범을 은폐시키고 만다　　이로 인해 소설의 원작자인 한준은 모방 범죄로 인해 미디어와 여론에 휩쓸려 인기를 얻게 되고 갑작스러운 성공으로 인생이 뒤바뀌게 된다.　　한 달 뒤 한준에게 의문의 여인이 살해당한 사진과 함께 한준의 비밀을 알고 있다는 뉘앙스의 협박편지가 택배로 오게 되며, 이에 갈등에 빠진 한준은 그의 성공의 조력자인 젊은 여기자 정현과 함께 범인 추적 가운데서 사진 속 여인을 만나게 되는데...

当一颗钻石在香港被盗时，钻石保险公司会派一名前中央情报局特工到香港取回。与此同时，其中一名小偷开始改变主意，因为他的女朋友希望他离开他的犯罪组织。

三个中国留学生，Tzu (James Chen), Wa (Keong Sim) and Chen (Leonardo Nam) 在1980年来到美国纽约留学，他们住在大学英语教师德克斯特和其女友苏珊的对门。起初，由于不停地看各种美国的电视节目，三个年轻人对美国抱着非常美好的幻想。但后来，当他们遭到了抢劫，苏珊背着德克斯特与Chen偷情，当他们无法承受苏珊的前男友的长期恐吓之后，当1980年約翰·列侬被刺杀之后，这三个年轻人决定买枪来保护自己……

Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.