Bigfoots Bride

拥有一个成功的美发沙龙，即将嫁给她梦想中的男人，MIYA认为事情不会变得更好。当她收到婚礼邀请时，事情很快就开始崩溃——她的未婚妻伊恩和前未婚妻洛里的婚礼。不久，宫被一个穿着婚纱和面纱的怪异新娘跟踪，伊恩开始怀疑宫可能正在编造这一切。当一系列可怕的事件开始发生时，宫先生确信莉莉正在实施一个扭曲和致命的复仇计划

A singer holes up at a sinister estate to write new songs for his act. The ghost of his murdered wife begins to haunt him, then the person who actually killed her shows up at the mansion.

再次是复活节，复活节兔子的恶魔形式已经抬升，对一个小镇造成了严重破坏。当地人民在流血的道路上谋杀所有人时，很快就开始减少。受害者的心被一一撕掉，放在篮子里盛宴。不久，幸存的城镇居民Ari Lehman（13日星期五），Charity Rahmer（我们的日子），Lisa Neeld（《花花公子》杂志）和Katie Hellman（“我的致命玩伴”）意识到，在该生物完成其“复活节大屠杀”并带来了启示

讲述玛格丽特(豪尔)过着成功而有序的生活，完美地平衡了她繁忙的事业和作为单身母亲对极度独立的女儿艾比的照顾。直到大卫(罗斯)出现，她的过去开始困扰她，精心计划的生活发生了更黑暗的转变，玛格丽特不得不直面她逃避了20年的怪物，来终结他们之间的恩怨。

一群人刚刚报名成为外国的营地委员。他们希望营地成为度过难忘夏天的地方。相反，一些奇怪的事情正在发生，一些露营者开始表现得很奇怪。事情变得非常糟糕，因为一场可怕的标签游戏让露营者为自己的生命奔跑或追赶露营者。

神经科专家库克维奇医师在一简陋的医院准备进行划时代的脑切除手术，却对院内粗糙的设备感到困挠。来自新奥尔良的贵妇维纳波夫人有意赞助库可维奇任职的医院，但库可维奇必须对其侄女凯瑟琳进行脑切除的手术，以治疗她的精神崩溃症状。饱受折磨的凯瑟琳会透露出什么惊人之语？维纳波夫人和凯瑟琳又为何有心结？

那个令人毛骨悚然的娃娃夏洛特带着所有关于震惊和厌恶的新故事回来了。夏洛特将带您踏上超凡脱俗的旅程，讲述无法形容的恐怖 77mi.cc 的可怕故事，这些故事会让您兴奋不已，让您感到寒冷。

罗兰·拉菲特([她])、艾玛纽尔·贝克特([我的国王])主演新片[外出时刻]( L’heure de la sortie，暂译)进入拍摄后期。本片由塞巴斯蒂安·马赫尼耶自编自导。故事讲述皮埃尔因一位年...

警方证实国家公园存在"86代码"。一只来自另一个世界的野兽，本可以从昏昏欲睡中醒来的。

Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

讲述外星人八次入侵地球遭到挫折，这是第九次尝试，并且跟僵尸联合起来。在这部电影里不但有僵尸、吸血鬼、外星人，还有用金属箔片扎制的太空服装、纸盘子叠的宇宙飞船和大量能看得你直翻白眼的低级特效……

一家乡村旅馆的客人开始消失和死亡，在一个精神不稳定的男人接管了他身患绝症的母亲的床和早餐业务后。

私人侦探迪伦·道格（布兰登·罗斯 Brandon Routh 饰）是一个具有超自然能力的男人，因某些原因，他蜷缩在城市的一角，过着隐姓埋名尽量不引起他人注意的生活。某天，超级富翁阿尔弗自杀身亡，他的女儿却认定父亲系被人所杀。迪伦在朋友马库斯（山姆·汉丁顿 Sam Huntington 饰）的拜托下来到阿尔弗的住所，结果反拒绝了这个案子。此后不久，马库斯横尸家中。好友的死令迪伦大为触动，于是重新接受了关于阿尔弗的委托。经过对现场的勘查，他断定阿尔弗死于一匹女性狼人之手。迪伦循着蛛丝马迹深入追查，也渐渐置身巨大的危险之中……　　本片根据Tiziano Sclavi的系列漫画《迪伦·道格（Dylan Dog）》改编。

一个关于孤立的芝加哥鬼故事。

A Chicago ghost story about isolation.